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Nov 15, 2016 Watch Deadmau5 tighten up a recorded drum loop This video was stole from a longer stream from Hope you like it.
- Dec 06, 2014 Mix - FREE DOWNLOAD Sylenth1 Presets Deadmau5 Style Download Link VST YouTube Deadmau5 - Strobe (Original Extended Mix) - Duration: 10:34. Sh00t3rguy 39,045 views.
- Jun 19, 2019 Frohmage is almost certainly the best free one available. Like all Ohm Force plugins, it looks ‘different’, is really fun to use and sounds amazing. Windows and Mac in VST, RTAS and AU formats. More info and download here. Bootsy / Variety Of Sound ThrillSeekerLA Saturation plugin. Any of the Variety Of Sound plugins could be on this list.
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Finalizer - Professional Audio Mastering Software(12 Apr 2020)
Venice Strings for Konktakt Sampler(10 Apr 2020)If Venice were a violin, the canals would be its strings, gondolas would be its player and the sea its luthier...
Kontakt 6.2.2 sampler for Windows and OSX(05 Apr 2020)New stable version of Kontakt sampler for Windows and OSX.
Waves Complete 2020 for Windows and OSX(26 Mar 2020)Vst Plug-ins Download Torrent
Waves Complete 2020 featuring Waves oVox and other newest plug-ins.
NI Mysteria Cinematic Vocal InstrumentDeadmau5 Vst Plugins Download D Links
(06 Mar 2020)MYSTERIA is a one-of-a-kind cinematic instrument that captures the human voice’s unique ability to convey unmediated emotion.
Steinberg Nuendo 10 and Cubase 10 for Windows(26 Feb 2020)As the most advanced audio post-production solution available, Nuendo is the choice of film, TV, game audio and immersive sound industry professionals worldwide.
Rob Papen Punch2 and Bit for PC Windows and MAC OSX(19 Feb 2020)Rob Papen Punch2 and Bit for PC Windows and MAC OSX.
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In this article we’re going through the mastering chains of pro producers like Deadmau5 and Laidback Luke. We will also show you our PML Mastering Chain, made with Ableton stock plugins. These racks come in handy when polishing up your tracks - that’s why we have included them as a free download. Enjoy!
Deadmau5's Mastering Chain
1) LinEQ (Waves)
Low Cut: roll-off below 32HZ (depends a bit on input track)
Removing low frequencies we can hardly hear on most playback systems and gaining headroom for our other elements.
2) MStereoExpander
Widening the stereo spectrum of the track, achieving a richer stereo image.
34% Depth (in this case)
3) Xfer Records OTT
Multiband Compressor, Compressing our different frequency bands (low, mids, highs) with different intensities, depending on what the track needs
4) FabFilter Pro MB
Used by Deadmau5 as Dynamic EQ - for one band at 59.462 Hz, +3.42dB,
Usually is used as multiband compressor
5) FabFilter Pro-L
Allround Limiting (increasing general loudness of the track)
+13dB (track dependent), Attack 118 ms, Release 500 ms
6) L2 UltraMaximizer (Stereo Mode)
Additional subtle limiting (-2.1 Threshold)
(depends on the source track)
Laidback Luke's Mastering Chain
1) Ableton EQ8/FabFilter Pro-Q
Multiple instances for surgical and balance control over the frequency range. Settings vary from track to track.
2) Izotope Ozone 6 - Exciter
Slightly overdriving the higher frequencies for a 'crisp hihats' effect
Dual Triode Setting
Low Band: 0% Amount
Mid Band: 194 Hz - 3.97kHz. 0.7% Amount
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High Band: 3.97kHz - 11.9kHz. 3.8 Amount
High Band 2: 11.9kHz - 20k. 6.6 Amount
3) Ableton Stock Compressor
Compressor focussed on adding a bit of punch to the track:
Threshold: -2.07dB (depends on track)
Ratio: 9.14:1
Attack: 5.47 ms
Release: 37.4 ms
Dry/Wet 100%
Makeup Gain On
Makeup Gain On
RMS setting
Lookahead: 1ms
4. Ableton Stock Chorus
Stereo enhancing for high frequencies. Therefore its highpassed:
Hipass setting at 1.93kHz
Amount 5.22 ms
Rate 1.67 Hz
Fix Mode
32% Feedback
Dry/Wet 15%
5. T-RackS Spectrum Analyzer
Analyses adjustments made before applying the limiter.
6. FabFilter Pro-L
Brickwall limiting at the end
PML „Ableton Only” Mastering Chain
When “mastering” on this basic level, we are trying to accomplish 3 things:
- balance the mix
- clean up resonance
- add loudness (punch) to the track
EQ8
Lowcut - This EQ is operating in mid side mode. We are cutting out frequencies below 100hz on the side and freqs below 35 hz in the mids. That way we have a clean low cut and our bass is operating in mono
Glue compressor
We are catching some of the peaks over the entire frequency range
EQ8
We are flattening out some unwanted resonances
Multiband Dynamics
We are balancing the low, mid and highs with 3-band multiband compression
Compressor Punch
We are adding punch to the mix, emphasizing the dynamics
Compressor Sustain
We are flattening out the mix a little bit (in order to be able to make the sum louder in the end)
EQ8
Final touches, we are pulling up the bass a bit and adding a little bit of brilliance in the top end
Limiter
We are increasing the loudness of the sum of our track. Note: don’t push it too far, Ableton’s limiter starts distorting the sound quite quickly.
Of course, this chain has its limitations - but we found it a good way to start with a basic master for your Ableton productions. Make sure you adjust the loudness of your mix before entering the chain. If the mix plays at low volumes, add a utility in front of the chain an turn up the level to get the chain compressors working - if its getting too heavy - turn it down a tad.
Author: k-pizza
Deadmau5 Vst
I’m a music maker who likes to share his experiences with other producers. I regularly show up with tutorials, articles & project files at PML.
Skype lessons with me: http://bit.ly/pml_s_one2one
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Keywords: Mastering with Izotope Ozone, LUFS vs dbFS, Fab-Filter Saturn, Mastering with Fab-Filter only, Mastering with Ableton only, Fletcher-Munson Curve, Mastering Chain Blueprint